This course provides you with the means to take forward a broad musical background. You will acquire a deeper musical understanding and a more refined musical language, and will be able to demonstrate more advanced skills in listening, appraising, analysis, composing, performing and musicological investigation. Each module provides sufficient flexibility for you to work to your individual strengths.
You will have the opportunity to develop your performance skills and to extend your knowledge and understanding of musical history, style and theory. Although clearly defined as separate units, the skills you will develop are interrelated and will be used throughout the course. This is reflected in the nature of the teaching structure where compositional skills, for example, may be developed through the study of certain genres and set works and also through the study of harmony and counterpoint.
Coursework
also gives students the ability to work with, and develop their knowledge and
understanding of Music Technology. Composition and Performing draws on a
wide range of styles and genres and gives you a chance to explore your own
musical interests.
Course Details
AS Unit 1: MUSC 1 Written examination: ‘Influences on
Music'
Candidates will acquire, explore and apply
musical language and context through the study
of two of the following Areas of Study:
Area of study 1: ‘The Western Classical
Tradition’(compulsory)
Area of study 2a ‘Choral Music in the Baroque
Period’
Area of Study 2b ‘Music Theatre: a study of the
Musical from
1940-1980’
Area of Study 2c ‘British Popular Music from
1960 – present day’
The written paper will consist of two sections:
Section A: Listening
Section B: Historical Study based on questions
arising from the compulsory and chosen areas of
study.
Unit 2: MUSC 2 Composing: ‘Creating Musical Ideas’
Coursework module consisting of a
composition or compositions selected from one
of three possible briefs:
Brief A: Compositional Techniques
Brief B: Free composition or pastiche in
response to a given
genre
Brief C: Arranging
The briefs will be released on 1st November in
the examination year. Candidates will be offered
a maximum of 20 hours, supervised in school, in
which to complete their compositions.
Unit 3: MUSC 3 ‘Performing: ‘Interpreting Musical
Ideas’
Coursework module requiring two performances
chosen from
the following list:
a) a solo performance on an instrument
b) a solo performance on voice
c) a solo performance on a second instrument
d) an ensemble performance
e) a technology-based performance 1 –
sequencing
f) a technology-based performance 2 – multi-
track/close
microphone recording
Each performance should last 5-8 minutes
A2 Unit 4: MUSC 4 Written examination: ‘Music in
Context’
Candidates will acquire, explore and apply
musical language and context through the study
of two of the following Areas of Study;
Area of Study 1: ‘The Western Classical
Tradition’
(compulsory)
Area of Study 3a:’English Choral Music in the
20th century’
Area of Study 3b: ‘Chamber Music from
Mendelssohn to
Debussy’
Area of Study 3c: Four decades of Jazz and
Blues 1910-1950’
The paper will consist of two sections:
Section A: Listening
Section B: Historical Study based on questions
arising from the study of the compulsory and
chosen areas of study.
Unit 5: MUSC 5: Composing: ‘Developing Musical
Ideas’
Coursework module consisting of a composition
or compositions selected from one of three
possible briefs:
Brief A: Compositional techniques
Brief B: Free Composition or pastiche in
response to a chosen
brief
Brief C: Arranging
The briefs will be released on 1st November in
the examination year. Candidates will be offered
a maximum of 20 hours, supervised in school, in
which to complete their compositions.
Unit 6: MUSC 6: Performing: ‘A Musical Performance’
Coursework module requiring the performance
of two or more contrasting pieces for either
acoustic and/or performance via music
technology chosen from either:
a) solo acoustic performances
b) technology-based performances
c) one solo performance and
technology-based performance each
performance to be at least 5 minutes
The programme will last 10-15 minutes
You are not required to have formal qualifications such as GCSE before commencing the course. However, a broad musical understanding and the ability to develop the skills appropriate to AS and A2 certification will be required. Prospective candidates may, therefore, be interviewed by the Head of Music in order to ascertain their suitability for the AS and A2 courses. Ideally, candidates who are intending to take the acoustic performance options should have achieved at least a grade 4 or equivalent standard on any instrument or voice.
The AS Music Technology course involves much practical work and encourages the cultivation of a wide range of skills. Students will have the opportunity to:
Students will have opportunities to build understanding of the technical process and principles that underpin effective use of music technology, and comment on it in writing.
AS Unit 1: Music Technology Portfolio 1
Students will learn and use a variety of music and music technology skills in order to complete this unit. Midi sequencing and multi-track recording as well as arranging skills are all key components assessed through the practical work carried out. These are all based on popular music styles. Some will be influenced by music studied in Unit 2, others will be based on a focus given by the board.
Students must complete three tasks in Portfolio 1:
Students will also be required to submit a logbook that provides information on the resources used in each task as well as assessed questions on their Creative Sequenced Arrangement.
Assessment
Students will produce an audio CD entitled ‘Music Technology Portfolio 1’ containing three tracks of work as specified in the three tasks above. You will also present a logbook.
The work is completed as coursework from the start of the course and the submission date
The logbook will detail equipment used and be used to answer two assessed questions on your Creative Sequenced Arrangement.
AS Unit 2: Listening and Analysing
Students are required to study the development of popular music styles from 1910 through to the present day. This is not intended to be a comprehensive, in-depth study, but an overview of the main styles and trends.
Two special focus styles will be selected each year for more in-depth study
Assessment
1 hour 45 minute listening examination at the end of the course
Areas of Study
Areas of Study underpin the whole specification. They will enable you to achieve the skills and knowledge to complete Units 1 and 2.
AoS 1: The Principles and Practice of Music Technology
This involves the study and practice of MIDI sequencing, audio sequencing and recording aiming to use technology to produce musical results.
AoS 2: Popular Music Styles since 1910
In addition to studying the popular music styles previously mentioned, students are expected to have an understanding of relevant musical theory and terminology, including:
AoS 3: The Development of Technology-based Music
This is undertaken during the course and is linked with the study of Popular Music Styles. It is designed to help you understand more about the development and influence of technology on music since 1910.
Course Requirements
An enthusiasm for Music, and Music Technology. The ability to work independently and meet deadlines. A knowledge of basic notation (treble and bass clef), chords, keys and the ability to read a musical score (eg piano music or a score for an ensemble) – or the willingness to attend extra- curricular theory lessons in order to improve your knowledge of the theory requirements.